Taylor Sizemore is an artist and arts educator living and working in the DMV. She has familial roots in the small coal mining town of Grundy, Virginia and grew up in Okinawa, Japan. Sizemore holds an MFA from American University and a BFA in painting and drawing with a minor in art history from Longwood University. Through the genre of autobiographical and cultural still life, Sizemore’s practice includes oil paint on canvas and handmade pine frames, as well as collage and acrylic works on paper.

Her work, despite ranging in media, connects through themes of desire, humor, fear, femininity/identity, and memory.

Sizemore has exhibited with Stable (DC), The Bedford Gallery (VA), The Longwood Center for Visual Arts (VA), The Valdosta National (GA), Goodwin House (VA), and The American University Museum (DC) and worked with institutions including The National Gallery of Art, Emory University, and Soho House. Sizemore's first solo show, Frame of Reference, opened at the Strathmore Mansion in the fall of 2024 (MD). She has co-curated exhibitions including “Holding Hands, Holding Space” and “Small Talk”, both invitational exhibitions fostering care and community among artists. Sizemore has works on paper and prints hosted at Transformer Gallery in Adams Morgan (DC). And in 2025, Sizemore is a Kinetic Artist with Hamiltonian. Her work resides in private collections across the US, Berlin, and Japan. Sizemore's work is part of the permanent collection at The Ned's Club, Washington, DC.